I'm home! Back to winter.... back to work.... back to real life....
but let me delve back into a childrens bookmaker's wonderland for just a moment. oh please...
The SCBWI conference in LA
was fantastic on many levels. I'm splitting it into three: Inspiration, business, and personal.
I'll do more of a general wrap up of my time and experience there as opposed to a workshop-by-workshop synopsis, seeing as you can get those in multiple places, not least from Team Blog
who was blogging about everything live from the conference!
It was such a thrill to hear people like the ones below speak. (It was also great to hear M.T. Anderson sing a love song to Delaware.) Unfortunately I missed the last keynote Ashley Bryan because I had to leave for the airport.
A few tidbits of advice from the heavyweights:
The stinky cheese man himself
• read every picturebook you can!
• be proactive and determined getting your work out there
• if you have written a pb manuscript, cut it down by half, at least! (too true)
amazing work and wise words
• start one sketch at a time
• work should have that "emotional hit" and tell a story -- think lighting, posture, mood
• what music might be playing during the scene? try to evoke the same feeling with the pictures. (I love this!)
• the characters and book should be your friend
• a great way to build a 'new world' is to base it on your own (eg. Delaware) but then twist it a bit. A place you recognise partially is more powerful than something completely outlandish.
• show children new ways to see
this guy was hilarious!
• Do what the kid in you thinks is 'cool'
• Subtlety isn't lost on kids
amazing inspiring art
• uses models for his characters
• find simplicity in compositions
Overall the main thoughts/feelings I came away with were things I already knew but are always good to have affirmed: do what you do. work hard. get it out there.
The illustration masterclasses booked out so quickly, but I was able to get into a writing class by Arthur Levine, the VP at Scholastic and owner of his own imprint, Arthur A. Levine Books. It was really fun to put myself into a writing situation. We even had homework! Although the assignments were very interesting (write about a place, then write about it again evoking a totally different emotion), I don't feel like we got through very much in the class because there were 26 of us! Maybe the classes need to be even smaller next time, for more hands-on interactivity.
So I don't know if I'd sign up for a masterclass again, unless it was something I was 150% into. Because it was run for an hour each of the 4 days, that meant 4 other workshops I couldn't go to -- and there was so much to see!!
But Arthur was fantastic - a very patient, insightful, funny, deeply engaged and engaging teacher.
THEN, there was the portfolio show, with about 100 illustrators (including mine) displayed for all to see. So amazing to see everyone's work, perspective, creative presentation, aptitudes, talent, dreams. There was a winner: Molly Idle
, whose work is, yes, jaw-droppingly beautiful (below)
The folio extravaganza was squeezed in between a 10 hour day of speakers/workshops and the 'heart & soul' themed dinner/ball, so after about an hour of looking at folios, thinking alternatively 'wow! this is amazing! how inspiring!'
and 'wow! this is amazing! what am I doing here?
' I took my leave to ready for the partay
knitted heart 'brooch' my friend made for me to wear at the heart & soul ball
so next post, the business side....